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Dado Valentic

Dado Valentic

(It is not where you are from but where you are going to...?


So goes philosophy of Dado Valentic (AKA Tito Heron) one of London’s finest and most private DJs, producers and remixers. His acoustical vision is a proud celebration of dance music’s Afro-Latin roots, mixed with the best new sounds. Spiritual journey where the DJ, Samba Drummers and other live musicians take audience on a deep, soulful musical journey with an uplifting message.

After more than 12 years of studio production work , DJing , promotion and innovation in this field, he finally starts getting the long awaited recognition of the music industry. HMV London has an dedicated compartment for his productions and the Ministry of Sound has picked him into the pool of the 50 of the world’s best DJs to represent the sound of the new millennium at the last event @ The Millennium Dome.

He is the person behind the Fabulous Voodoo Orchestra witch has been pushing the boundaries of Djing using 4 turntables and improvisations with musicians - live on stage! He was first to mix records and full Samba Batteria on the Notting Hill Carnival and will long stay remembered for last year’s closing set at V2002 festival.
Internationally Tito was invited to take his Afro-Latin sound around the world but most importantly, back to South America with tour in Brasil and Uruguay which took in Punta del Este, Sao Paolo, Rio de Janeiro and Salvador .

HIS-STORY
Tito Heron belongs to the new batch of producers and DJs who are the descendants of the post-disco generation of dance music tastemakers. Himself from a family of artists, Dado wanted to be a musician ever since he can remember. He first got introduced to the house scene in his teens (in 1988) by the owner of the famous Music Hall in Venice. After hearing the mixes of Little Louie Vega, Tony Humphries and Frankie Knuckles he promptly changed his instruments for a set of turntables. The first live gig he ever saw was in 1989 in The Gallery Sebastian, Rovinio.

Originally from Croatia, he moved to Germany where he studied Sound Engineering in Munich. In 1993 he produces his first track ‘Out of Africa’ using the college’s recording facilities. Beyond all expectations the production got signed up and wins a Phillipe Morris award.

For him DJ-ing was always as creative as producing and remixing. A good DJ can take two records and create an entirely new sound by way of blending them together. Taking his inspiration from the Italian ‘Cosmic’ scene and calling himself DJ Dado, he begins a club night called ‘The Future Sound of Jazz’.

1996 sees a complete turn in his career. He moves to London and starts working for Sony BP Europe. However, the Scene, centered around Ladbroke Grove and Notting Hill draws him back into music making. The encouraging response of the likes of Little Louie Vega, Mateo & Matos and Boris D’Lugosh to the first Tito Heron ruff cuts brings him back to the recording studio in 1999, where he indulges his musical passions once again to the full.

The launch party for Tito Heron's first record was such a success that they had to do it 5 times over and the invitations for it were changing hands for 20 quid on the local Portobello Market. The appearance at Notting Hill Arts Club during Notting Hill Carnival secured a residency at the center of West London’s creative community, propelling Tito Heron and Karl Gonzales into the ranks of Lazy Dogs Jay Hannan and Ben Watt (from Everything But The Girl), Phil Asher orPatrick Forge and regulars at the club included people like Brian Eno, Hugh Grant, Kate Moos and Malcolm Mclaren…

Pauls “That Beat” is currently on release on 7” & 12” with extra mixes from Ricky Morrison (Salsoul Nugget) and Big Hair and is currently being played out by the Groove Armada, JellyJazz’s Pete Isaac, Kid Loco and many others. Paul has remixed and produced many varied projects including Neon Heights, Robin Jones ,Tito Heron, Kid Loco and Ashley Slater.


Tito Heron has become a regular guest at many reputable clubs and quality music events such as:



Mixes available special request.

Copyright © 2006 The Treatment